Center for Liberation Studies

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A close-up photographic view of a single, perfectly still flame rising from a modest beeswax candle, its surface slightly textured and warm golden in tone, set against a deep, unfocused background. The candle rests on a low, dark stone slab with fine, natural striations, placed at the center of a simple, uncluttered meditation space. The only light source is the candle itself, casting soft, warm illumination and gentle, expanding shadows around it. The mood is intimate, silent, and profoundly focused, suggesting the refined clarity of samādhi and the glimpse of the deathless. Tight framing and shallow depth of field keep the flame in razor-sharp focus while the surroundings dissolve into a subtle, velvety darkness.

About Us

Meet the lineage-rooted teachers and discover how this training supports awakening in modern life.

About

Awakening Through Liberating Training

The Center for Liberation Studies offers a structured path of Sīla, Samādhi, and Paññā, guiding sincere practitioners toward the direct realization of the deathless and the end of dukkha.

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A meticulously arranged meditation hall interior with no people present, featuring a single dark teakwood meditation cushion set precisely at the center of a polished wooden floor. Along the far wall, a minimal altar holds an unlit candle, a small bronze bell, and a simple stone engraved with the word “Nirodha.” Soft predawn natural light filters through high, frosted windows, creating long, gentle shadows and a faint glow on the floorboards. The atmosphere is serene and contemplative, evoking structured training and inner discipline. Photographic realism, eye-level composition, rule-of-thirds framing with the cushion slightly off-center, and a shallow depth of field subtly blurring the altar in the background to emphasize the solitary path of liberation.

Our Teachers

An overhead view of a meticulously organized wooden writing desk, free of any human presence, featuring an open, cream-colored journal titled “Pathways to Awakening” in elegant serif lettering. Beside it rests a finely crafted fountain pen, a simple brass incense holder with a single unlit stick, and a small smooth river stone etched with a subtle lotus outline. Soft, indirect daylight from an unseen window creates gentle, even illumination, highlighting the grain of the wood and the texture of the paper. The composition is clean and balanced, with negative space around the journal suggesting clarity and focus. Photographic realism, minimalist aesthetic, and a calm, contemplative mood that evokes structured study and disciplined practice on the path to the deathless.

Aarav Sharma

A stone pathway made of irregular, smooth river stones gently ascending through a misty forest, symbolizing the Liberation Path. Each stone is engraved with one Pali term: Sīla, Samādhi, Paññā, and Nirodha, the words crisply carved and slightly darkened for contrast. Moss and delicate ferns frame the edges of the path, while tall, slender trees fade into soft fog in the distance. Early morning diffused light filters through the canopy, creating a peaceful, luminous atmosphere. Photographic realism with a low, forward-facing angle at ground level, the first stone in sharp focus and subsequent stones gradually softening into bokeh, giving a sense of progression, depth, and quiet determination.

Mateo García

A close-up photographic view of a single, perfectly still flame rising from a modest beeswax candle, its surface slightly textured and warm golden in tone, set against a deep, unfocused background. The candle rests on a low, dark stone slab with fine, natural striations, placed at the center of a simple, uncluttered meditation space. The only light source is the candle itself, casting soft, warm illumination and gentle, expanding shadows around it. The mood is intimate, silent, and profoundly focused, suggesting the refined clarity of samādhi and the glimpse of the deathless. Tight framing and shallow depth of field keep the flame in razor-sharp focus while the surroundings dissolve into a subtle, velvety darkness.

Zuri Ndlovu

A meticulously arranged meditation hall interior with no people present, featuring a single dark teakwood meditation cushion set precisely at the center of a polished wooden floor. Along the far wall, a minimal altar holds an unlit candle, a small bronze bell, and a simple stone engraved with the word “Nirodha.” Soft predawn natural light filters through high, frosted windows, creating long, gentle shadows and a faint glow on the floorboards. The atmosphere is serene and contemplative, evoking structured training and inner discipline. Photographic realism, eye-level composition, rule-of-thirds framing with the cushion slightly off-center, and a shallow depth of field subtly blurring the altar in the background to emphasize the solitary path of liberation.

Leila Haddad